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The Boston Globe declared the album "the worst of her career,and revealed a voice that is not capable of both gravity-defying gymnastics or mushy coos", and Rolling Stone commented, "Carey needs daring songs that assist her use the power and vary for which she is well-known. Charmbracelet is like a stream of watercolors that bleed into a puddle of brown", AllMusic expressed similar sentiments and said "There are no good songs on this file, outdoors of Def Leppard's power ballad classic "Bringin on the Heartbreak," which is not even coated all that well. What's a larger problem is that Mariah's voice is shot, sounding in tatters all through the record. Whenever she sings, there is a raspy whistle behind her skinny voice and she strains to make notes throughout the document. She can't coo or softly croon nor can she carry out her trademark gravity-defying vocal runs. Her voice is broken and there's not a second where it sounds strong or inviting. That, alone, can be disturbing but, as a result of the songs are formless and the manufacturing bland - one other cause why the hip-hop broadcasts itself, despite the fact that it is nowhere close to as pronounced as it has been since Butterfly - her tired voice turns into the only factor to focus on and it is a unhappy, ugly factor, which makes an album - that would merely have been her worst - into something tragic." The album's only charting single in America, "Through the Rain", was a failure on pop radio, which had change into much less open to maturing "diva" stylists, corresponding to Celine Dion, or Carey, herself, in favor of youthful singers reminiscent of Christina
Aguilera, who had vocal styles very just like Carey's. ”